Poetry


Feature Writer: Linda Sue Grimes
Linda Sue Grimes, Ronald W. Grimes

Poetry fascinates readers for many reasons, from its unique language use to the varied subjects that poets have dramatized down through the centuries.

The Ancients, including Homer and Vergil, captivated audiences with their ability to spin a memorable yarn. Ancient Indian epics, the Mahabharata and the Ramayana, were so easily memorized that it was centuries before anyone wrote them down.

From the Ancients to Middle Eastern and Western Eurpoean bards to early Americans like Phillis Wheatley, Emily Dickinson, and Walt Whitman to the most contemporary poets such as recent poets laureate, Louise Glück, Ted Kooser, and currently Charles Simic the journey through poetry remains a colorful and enticing one.

Thank you for visiting. I welcome questions, comments, and/or suggestions.

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Euterpe, Wikimedia Commons
feature articles
Linda Sue Grimes

Shakespeare Sonnet 56

In: British Poetry

Love is the most important subject for this speaker/poet of the sonnets. The "little songs" do consistently sing of it-not ordinary or romantic love but soul love. more...

Heaney's Hugging Destiny

In: British Poetry

Seamus Heaney's "Whatever you say, say nothing" consists of four parts. The poem is roughly free verse with an irregular rime scheme. more...

Stevens' 'The Death of a Soldier'

In: American Poetry

Wallace Stevens' use of the imagination in poetry reveals the unchartered territory that readers have come to expect from the modernist mindset. more...

Shakespeare Sonnet 55

In: British Poetry

The poet/speaker again lauds his own ability to immortalize his subjects. In this sonnet, he addresses the sonnet itself in order to praise it. more...

Shakespeare Sonnet 54

In: British Poetry

In sonnet 54, the speaker avers that beauty is only beautiful when it represents the truth of the soul; outward beauty is truly only skin deep. more...

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Linda Sue Grimes

May 15, 2008

A Poem’s Meaning

Some readers, mostly students, young naïve readers, or beginning poetry readers, think that a poem can mean anything you want it to mean.


This Idea Defies All Reason

Can an article about potted plants mean cookbooks are colorful picture books? Can a song about spring mean fall is harvest time? Can the painting of Mona Lisa mean the fall of Icarus was a sad event? Can Hansberry’s play, A Raisin in the Sun, mean horses make the landscape more beautiful? Of course not. So how is it that a poem can mean anything you want it to?

If this claim were accurate, there would no need for more than one poem. If a poem can mean anything, then you can want it to mean something different each time you read it.

Hughes and Owen, the Same?

Langston Hughes’ poem, “Harlem: A Dream Deferred,” dramatizes through rhetorical questions the possible effects of having to postpone one’s aspirations, but what if you want it to dramatize a soldier's reaction to mustard gas during World War I?

You would be claiming that Hughes’ poem is the same as Wilfred Owen’s “Dulce et Decorum Est.”

Lazy Thinkers

Misunderstanding poems may begin in high school as some teachers abdicate the responsibility of teaching how poetry works, allowing students to believe anything they wish about the meaning of a poem.

It is much easier to let student believe what they want to believe than to challenge them and guide them to learn to think and reason based on actual evidence.

Unfortunately, this kind of lazy thinking does not apply only to the study of poetry, but I leave that problem to others. If you are one of those unfortunates who believes that poetry can mean anything you want it to mean, please take my free course in eight lessons on Understanding Poetry.

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